Showing posts with label relational poetics. Show all posts
Showing posts with label relational poetics. Show all posts

Tuesday, January 03, 2012

"The Vanishing Point That Whistles" - An Anthology of Contemporary Romanian Poetry

Book launch organized by RCINY. The anthology represents a joint effort to bring one of the most significant recent Eastern European literary phenomena - Romanian post-communist poetry - to U.S. readers. Published by Talisman House, with funding from RCI's Translation and Publication Support Program, the anthology coordinated by Doru Paul Mugur gathers more than 40 contemporary Romanian poets. With this new anthology, Talisman House continues in 2012 its line of publishing Romanian authors in translation.

The poetry included in this volume reflects the alienation and the crisis of communication brought by the so-called "transition" period of the last twenty years in Romania from the beginning of the post-communist period in 1990 to the close of the first decade of the twenty-first century. This twenty-year span was defined not only by uncertainty and fears, social inequities and misery, but also by both an enthusiasm and a hope for the future that the recent inclusion of Romania in the European Union made real.

—from the introduction by Paul Doru Mugur

The Poets: Cristian Popescu, Ioan Es. Pop, Mihail Gălăţanu, Daniel Bănulescu, Floarea Ţuţuianu, Radu Andriescu, Simona Popescu, Emilian Galaicu-Păun, Ruxandra Cesereanu, O. Nimigean, Constantin Acosmei, Nicolae Coande, Mihai Ignat, Marius Ianuş, Dumitru Crudu, Adina Dabija, Ştefan Bălan, Teodor Dună, Ruxandra Novac, Mugur Grosu, George Vasilievici, Ioana Nicolaie, Radu Vancu, Andrei Peniuc, Dan Sociu, Adrian Urmanov, Răzvan Ţupa, Claudiu Komartin, Elena Vlădăreanu, Dan Coman, Miruna Vlada, V. Leac, Svetlana Cârstean, T.S. Khasis, Gabi Eftimie, Marius Conkan, Andrei Gamarţ, Michel Martin, Aida Hancer, Anonymous.

Most of the translations were prepared specifically for this edition by Adam J. Sorkin and Claudia Serea, with biographical notes and essays by the authors, Adam J. Sorkin and Mona Momescu.

Collaborative translations are by Adam J. Sorkin and Radu Andriescu, Ştefan Bălan, Cristina Cîrstea, Gabi Eftimie, Mihail Gălăţanu, Irma Giannetti, Mugur Grosu, Petru Iamandi, Ioana Ieronim, Claudiu Komartin, Michel Martin, Alina Miron, David Morley, Paul Doru Mugur, Roxana Muscă, Mihaela Niţă, Alina Savin, Dan Sociu , Saviana Stănescu, Bogdan Ştefănescu, Aura Ţeudan, Răzvan Ţupa, Adrian Urmanov, Radu Vancu, Lidia Vianu, Oana Zamfirache.

February 8, 6.30 pm
RCINY Auditorium
200 East 38th Street, New York, NY 10016

FREE ADMISSION

This Romanian poetry arrives in the 21st century like a much needed remedy for the excessive stylistic inventions that seem to accompany what is soon becoming an almost universal postmodern aesthetic. It's a book that I'd want my graduate students of poetry and literary translation to read. --Roger Sedarat

Waking up from a familiar nightmare into an unknown reality is not for the faint-hearted. More than two decades after the world and the poetry that buzzed in it shattered, Romanian poets are putting on lab coats, turning on recording devices, scouring the web they broadcast on, photoshopping bits and pieces of shards and routine, and questioning the tragic undertone of the hardwired lament in a culture that questions itself incessantly. Anyone able to hear the sound this poetry makes will be rewarded with a sharpening of their own tools of perception. --Andrei Codrescu

While reading Vanishing Point That Whistles, the Latin word 'artus' came to mind: related to anatomy, it indicates a joint; symbolically the word refers to strength or power (and, poetically, to the limbs). My feeling is that this anthology of new Romanian poetry exists as an important 'artus' point: a place where one historical/literary tradition bends into another. At the same time it's a locus of strength, with a natural ability to reach powerfully outward. Even more, though, it's a source of pure reading pleasure from one of the world's most poetic places. If you haven't yet gotten acquainted with the brilliance of contemporary Romanian poetry, enter here. --Sharon Mesmer

Saturday, November 27, 2010

The atelierelational developes it's concept


Every Saturday at 17.00, Café Dalles (entrance by bookshop) hosted workshops, guest speakers, screenings, discussions and creative exercises. The last event in November this Saturday is the last in this location. The Atelierelational will be organised in December and January at Diverta Bookshop in Plaza

Which are the main directions of poetic creativity today, contemporary themes for poetry, what kind of relationship poetry keeps with reality, expressions of poetry in 2010 are some themes that our weekley meetings are relating to.

You are invited to participate in debates and to chose the next books of poetry to be published in late May 2011.

Since May 2005, Razvan Tupa coordinated the poetics of the quotidian event. Most of the 140 meetings of PoQ held by June 2010 took place in unconventional venues from Bucharest(Club A, Peasant Museum club, Other Side Club, Suburbia, S.A.L.T. pub). A series of workshops poetics were organised in Timisoara and Constanta in 2009.

Also in 2009 the first meetings of the poetics of the quotidian reached outside Romania in Prague and Berlin. In 2010, Razvan Tupa coordinated a PoQ projects in Chisinau as a mapping project of the Capital city of Moldavia.

Since September, daily poetics turns relational. The concept of the meetings is now devoted to opening up completely to general public through a series of weekly workshops. The new concept offers to the public the opportunity to participate actively both in reading and the development of poetic texts, but also to choose the most important enterprises in poetry today. In Romania, relational poetics is mainly a way of reading poetry.



Relational Tools

- Poetic action;

- Reconciliation of opinions;

- Debate;

- Exercise;

- Dynamic formulation;

- Investigation;

- Meeting;

- Game;

- Reading;

- Visual projection;

- Verbal repetition;

- Writing and its forms;

- Challenge the tradition of poetry.

The ar poet in residence is a programme dedicated to poets that can offer a 4 sessions project for 10 minutes presentations of poetry (his text and texts that he considers important for contemporary poetry)

Saturday, June 26, 2010

poetry in soccer legends

How do legends move?
I had chosen scenes with soccer legends and a friend told me to compare it with contemporary poets.
The soccer show can be paralleled with language show found in poetry. For each decade I found poets contemporary with the legendary soccer actions.


~2000 Zidane - as from lines by Billy Collins (n.1941) / Suheir Hammad (n.1973)/ Yehuda Amichai (1924 - 2000)


anii 80-90 Maradona with all kind of precious moves as from Nimah Nawwab (n.1966)/ Michael Ondaatje (n.1954) or from classics Vasko Popa (1922-1991)/ Jorge Luis Borges (1899 - 1986)


anii 70 Johann Cruyff with direct executions as Jacques Prévert (1900-1977)/Pasolini (1922-1975)


anii 60 Pele in pain and fantasy as from Paul Celan (1920-1970)/ Ginsberg (1926-1997)


anii 50 Lev Iasin, a goalkeeper that became the best european player in 1962 calls for contemporary poetic performances by T.S.Eliot (1888–1965)/ Pablo Neruda (1904–1973)/ Nazim Hikmet (1902–1963)



anii 30 Puskas dramatic and historical as Esenin (1895-1925)/ Cavafy (1863-1933)/ Jozsef Attila (1905–1937)

Monday, June 07, 2010

a letter to Rotterdam International Poetry Festival in it's 41st year of existence

Congratulations for managing to build an entire network of contemporary poetry around your Festival. PIW is one of the first refferance tools I use when I investigate the contemporary poetry.
I am writing you in order to express my deep concern regarding the condition of poetry today. And my intention is not to signal an other crisis. But on the contrary to point at a shift in today's poetic conscience.

More than ever, poetry seems to keep an important meaning only for those that write it. Actually the fact that poetry still held a powerfull part was allways explained by the opposition it meet. Even than this year was announced the murder of Iraqi young poet Zardasht Osman because of his writing. I live in Romania and here, since August 2009, already two of the most well known young poets already died in strange suicides.
Poetry not only atracts but searches opposition and this opposition is not necesarly violent. The opposition that gives strengh to poetry today can be also indiferent.

But the main opposition is not outside poetry but, as ever inside it. Because the same who write it too many times forget to consider their art with a profesional standard that should be at least corect.
The opportunities for financing and supporting poetry tend to be oriented toward poetry that is either unhamrful or is deprived of any interest in investigating the poetic potential of our time.

This will bring today's poetry to the spectacular overtrone of academic values. Of course this shouldn't be something new, but, given the global acces to internet and curent means of comunication, this might be a very fast change in the means of poetry.
As your efort was allways to promote poetry, please consider this call as an argument to develope and use tools that can connect the poetry that has been writen fo the last 150 years with the poetic posibilities of today. We still do not have a map of contemporary poetic tendences and I haven't heard even an intention of developing anything close to this.

best wishes

Monday, October 26, 2009

Poe/zine #5- Relational Poetics in Prague and Berlin

Poe-zine #5 presents Poetics of the quotidian in Bucharest, Prague and Berlin, with schedule, participations and photos. Also it has info on Wordexpress, a literary project of British Council and Literature without Frontiers. The main theme is Relational Poetry, with the English version of "poetic practice" presentation published in Romanian by Stare de Urgenta magazine from Chisinau last August. you can see the most recent poe/zine here>

Sunday, October 18, 2009

relational poetics

notes 1
"poetics of relation" is the concept provided by Edouard Glissant (Galimard, 1990, University of Michigan, 1997). The writer born in French Antilles invokes as first poets of relation Victor Segalen, Raymond Roussel and Henri Rousseau. Glissant considers them the first creators to prove the kickbak that an event from a remote culture can have over the life of an individual in modernity (op cit, p. 27). As the unexplored territories geographically shrank the act of discovering the other is replaced by the „understanding” of the other as a foreign civilization. But this understanding has a aggressive meaning. The events that take place in a remote space have a bigger importance for an individual than personal and familial events ever can.
Glissant sorts a vocal language and a practical one and calls for a need for de- colonization of creoles languages by a „conspiracy of hiding sense”. The release from conventional forms of transparency in the language, the deliberate use of linguistic opacity is used as an instrument of poetic politics. In the history of literature, the same case can be considered regarding Dante’s choice for vernacular Italian instead of imperial Latin («Patke, Rajeev S., in Postcolonial Poetry in English », Oxford University Press, 2006, p. 98).
The sense is hidden because the sense is aimed to be reoriented by the great colonization processes.